1. A Big Listening Project
1. A Big Listening Project
1. A Big Listening Project
1. A Big Listening Project
4. Who's Recording Who?
Episode Summary
In the 1930s, Zora Neale Hurston was already a nationally known novelist, anthropologist and member of the 1920s Harlem Renaissance. Yet she saw her publishing income dry up during the Great Depression even with the publication of her best-known novel, Their Eyes Were Watching God. When she took a job with the Writers' Project in Florida, her first assignment was to write for the WPA Guide to Florida. In the hands of truth-seekers like Hurston and a young white co-worker, Stetson Kennedy, the Florida WPA guidebook would reflect a wide range of Florida life, "warts and all," including a report of violent voter suppression in the 1920s—until editors started to push back. This episode follows that conflict.
Hurston also moved the Writers’ Project to record the songs and folktales of Florida culture. We hear from historians and bestselling novelist James McBride about how that work still resonates today.
Speakers
Douglas Brinkley, historian
Peggy Bulger, folklorist
Tameka Hobbs, historian
Stetson Kennedy, author and Project alum
James McBride, author
Flo Turcotte, historian
Links and Resources
Florida Memory - Zora Neale Hurston Page
Florida Memory - Stetson Kennedy Interview
Further Reading
WPA Guide to Florida
Go Gator and Muddy the Water by Zora Neale Hurston, edited by Pamela Bordelon
Their Eyes Were Watching God by Zora Neale Hurston
How It Feels To Be Colored Me by Zora Neale Hurston
Palmetto County by Stetson Kennedy
Credits
Hosted by: Chris Haley
Directed by: Andrea Kalin
Producers: Andrea Kalin, David A. Taylor and James Mirabello
Writer: David A. Taylor
Editor: Ethan Oser
Assistant Editor: Amy A. Young
Story Editing: Michael May
Additional voices provided by:
Amesha McElveen and Skip Coblyn
Featuring music and archival material from:
Joseph Vitarelli
Bradford Ellis
Pond5
Library of Congress
National Archives and Records Administration
Produced with support from the National Endowment for the Humanities, Florida Humanities,
and the Stetson Kennedy Foundation